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4-11-3, Kagoya, Ichinomiya-City, Aichi 494-0002, JAPAN

photo by Toshikatsu Aoki


PROJECT_04_Summer 2023

Me, The Timeless Self – within the Umwelt
_ 1000年生きた私―環世界のなかで_
a new site-specific iteractive installation

KEIKO MIYAMORI




PROJECT_03_Spring 2023

SEAsaw: SAILING THE COSMIC SEA, Kiso River
_木曽川、宇宙を航海する_
a site-specific collaborative installation + interactive performance


ARATA MINOI JEAN CARLA RODEA I JO WOOD-BROWN





PROJECT_02_2022

Texere
a site-specific sound installation


TOMOKO HOJO 





PROJECT_01_2022

Semi-permanent Site-specific Installation  

MATTHIAS LIECHTI     


communities consisting of holes, blanks and ways out. Clocks that could let us know when exactly we are and when exactly we have to be. Gates and portals whose passageways could let us know where we are and how we have to be. Cinema chairs for 6-year-olds which could let them know in which direction they can look and think and in which direction they have to think and look. Coffee grounds that show Margarita‘s future and colorful insects whose colorfulness becomes their doom. A, b, c lessons in the park with kids and crows and without teachers. Objects that could be used right or wrong or otherwise, and repetitive, incessantly dripping water that overrides everything else, resembling the constant ticking of a clock - thunder, birdsong and a short screech of a goose. All synthetically produced, everything guaranteed unnatural and everything exactly like nature.
ML 2021


Symbols and symbolisms - forming mind shaped Holes, Blanks, Ways Out (window blinds)
offset print, installation dimensions variable, 2022

Holes, Blanks, Ways Out (framed exhibition poster)
offset print, 70 x 96 cm, 2020